Fotógrafo Julian Abram Wainwright

—Como se iniciou na indústria da fotografia?

—I worked as a photojournalist for 10 years. When my wife and I started a family, I decided to transition to weddings because the lifestyle was better suited for spending time with my family. I only discovered that I love photographing weddings after I started shooting them!

—Em sua opinião, quais são os componentes mais importantes para uma boa fotografia?

—Light. Moment. Composition.

—Gosta de viajar?

—Yes. After college I travelled all over Asia, from Iran and India to Laos and Myanmar. I loved it so much I moved to Southeast Asia and have been here 15 years.

—O que mais gosta na sua profissão?

—I get to document one of the most important days in peoples' lives. Hopefully the images I create will be passed on to future generations. That gives me pride in my work. I also love that I get to be creative and photograph they way I want to.

—O que menos gosta na sua profissão?

—I love travelling, sometimes – particularly in the high season from January to May – it can be a drag. Saying goodbye to my kids for a few days is always tough.

—Qual será o futuro da fotografia?

—Trends will come and go, but I think there will always be a market for classic documentary photography. People want photography that shows real moments, that tells the story of their wedding day. And there will probably be more drones :-(

—O que há de especial para si, no género de fotografia em que se especializou?

—Emotion.

—Como lida com as críticas?

—Working with magazine editors for a decade has given me thick skin. Criticism is good. It helps you grow as an artist. Take it, learn from it, move on.

—Existem tendências na fotografia?

—Trends are silly and don't interest me. As an artist if you follow trends you are lost.

—Quais deveriam ser os critérios considerados pelo cliente na escolha de um fotógrafo?

—Obviously the images have to speak to them, make them feel something in their hearts. And they should get to know the photographer, if not in person maybe on Skype, so that they get to know their personalities and see if they're a good fit.

—O que não é permitido de todo ao fotografar?

—Don't be an asshole. Seriously, always be the nicest guy in the room. And don't make it about you. This is their day, not yours. Bend over backwards to make it work. And don't interfere with the natural flow of things. I've seen video teams interrupt the first dance to tell the couple to stop and do it a different way. That's ridiculous. My job is to document the wedding day as it happens in real time. Not create a fake fairy tale. My clients want the same thing.

—Que detalhes passam habitualmente despercebidos mas nos quais um fotógrafo repara?

—The moments in between, the quiet moments. A good photographer is observant, vigilant, and ready to capture the moments that most people don't see. Also, an experienced wedding photographer learns to anticipate certain moments and reactions throughout the wedding day, and knows where to find them. Its like muscle memory in sports. It becomes a sixth sense.

—O que influencia o valor da foto? Quais são os seus elementos?

—All photographers post romantic, well lit portraits, because this sells and attracts clients. But the most valuable photos are real, not posed. Those are the ones I think couples will appreciate most 50 years down the line. Interesting natural light, a great moment/emotion, and thoughtful composition. Those are the basic three elements in any good wedding photograph. It sounds simple, but its very rare to capture all three in one image. When you do, its magic.

—O quem pretende fotografar?

—Fun, kind people who aren't afraid to laugh and cry and get nasty on the dancefloor.

—Tem tabus profissionais?

—Don't be late.

—Com quem gostaria de fotografar?

—Larry Burrows.

—Com que se preocupa e porquê?

—I worry about my kids. The usual parent stuff. When you have a family, you realize whats important, and whats not. And it allows you to not worry much about most things, and just focus on what matters.

—Qual foi o momento mais impressionante na sua vida?

—The birth of my children.

—Como define o sucesso? Como o afere?

—Happiness, pride, respect, kindness.

—Quando vai viajar, o que leva consigo e porquê?

—I travel a lot so I have a good system. My Think Tank Airport Roller Derby holds my gear and saves my back. I have a new Macbook, the really little one that weighs nothing, and its perfect for someone who travels a lot. Noise-cancelling headphones, and lots of podcasts. Cliff bars.

—Como aprende a tirar fotos melhores?

—Try and go out every single day and photograph. Anything, it doesn't matter. But the repetitive process of making pictures will make you better. Be thoughtful about it, slow down, and remember the basics of good photography. And also go to the library or bookstore and check out the photography books. Looking at pictures on the Internet sucks.

—Que trabalho mais o influenciou como fotógrafo?

—Classic photojournalism, like from the Magnum Photo Agency. My passion is photojournalism, so I spend a lot of time following contemporary news and documentary photographers. Too many to list.

—Qual é a coisa que mais gostaria de ter sabido quando começou a fotografar?

—How to run a photography business.

—O que pretende transmitir com as suas fotos?

—Life is beautiful.

—O que o motiva a continuar a fotografar?

—There's something timeless about strong documentary photography. I like creating things that will have a long lifespan. And there's kindof a never ending pursuit of beauty and grace in photography, in capturing that elusive trifecta of LIGHT MOMENT COMPOSITION that keeps me curious and motivated and passionate about picking up a camera every day.

—Os seus pais deveriam ter sido mais ou menos rigorosos?

—They did a good job. I should tell them that more often.

—Se pudesse regredir no tempo, o que faria de diferente?

—No regrets. Even if you mess up, learning from your mistakes is essential in growing as an artist and a human being. I have a great life, can't complain.

—O que pensa da vida nos outros planetas?

—Of course. It's kindof ridiculous to think we're the only life in the universe.

—Quando é que fica completamente satisfeito com o seu trabalho?

—Never.