Fotógrafo Julian Abram Wainwright

—¿Cómo empezó a trabajar en la industria de fotografía?

—I worked as a photojournalist for 10 years. When my wife and I started a family, I decided to transition to weddings because the lifestyle was better suited for spending time with my family. I only discovered that I love photographing weddings after I started shooting them!

—¿En su opinión, cuáles son los elementos más importantes de una buena fotografía?

—Light. Moment. Composition.

—¿Le gusta viajar?

—Yes. After college I travelled all over Asia, from Iran and India to Laos and Myanmar. I loved it so much I moved to Southeast Asia and have been here 15 years.

—¿Qué le gusta más de su profesión?

—I get to document one of the most important days in peoples' lives. Hopefully the images I create will be passed on to future generations. That gives me pride in my work. I also love that I get to be creative and photograph they way I want to.

—¿Qué le gusta menos de su profesión?

—I love travelling, sometimes – particularly in the high season from January to May – it can be a drag. Saying goodbye to my kids for a few days is always tough.

—¿Cuál será el futuro de la fotografía?

—Trends will come and go, but I think there will always be a market for classic documentary photography. People want photography that shows real moments, that tells the story of their wedding day. And there will probably be more drones :-(

—¿Qué tiene de especial el género fotográfico en que trabaja?

—Emotion.

—¿Cómo gestiona las críticas?

—Working with magazine editors for a decade has given me thick skin. Criticism is good. It helps you grow as an artist. Take it, learn from it, move on.

—¿Existe alguna tendencia en la fotografía?

—Trends are silly and don't interest me. As an artist if you follow trends you are lost.

—¿Qué criterios debería tener en cuenta una persona a la hora de elegir a un fotógrafo?

—Obviously the images have to speak to them, make them feel something in their hearts. And they should get to know the photographer, if not in person maybe on Skype, so that they get to know their personalities and see if they're a good fit.

—¿Qué no está permitido de ningún modo cuando realiza una fotografía?

—Don't be an asshole. Seriously, always be the nicest guy in the room. And don't make it about you. This is their day, not yours. Bend over backwards to make it work. And don't interfere with the natural flow of things. I've seen video teams interrupt the first dance to tell the couple to stop and do it a different way. That's ridiculous. My job is to document the wedding day as it happens in real time. Not create a fake fairy tale. My clients want the same thing.

—¿Qué detalles que normalmente no tenemos en cuenta puede un fotógrafo captar?

—The moments in between, the quiet moments. A good photographer is observant, vigilant, and ready to capture the moments that most people don't see. Also, an experienced wedding photographer learns to anticipate certain moments and reactions throughout the wedding day, and knows where to find them. Its like muscle memory in sports. It becomes a sixth sense.

—¿Qué influye en el valor de una fotografía? ¿Cuáles son sus elementos?

—All photographers post romantic, well lit portraits, because this sells and attracts clients. But the most valuable photos are real, not posed. Those are the ones I think couples will appreciate most 50 years down the line. Interesting natural light, a great moment/emotion, and thoughtful composition. Those are the basic three elements in any good wedding photograph. It sounds simple, but its very rare to capture all three in one image. When you do, its magic.

—¿A quién le gustaría fotografiar?

—Fun, kind people who aren't afraid to laugh and cry and get nasty on the dancefloor.

—¿Tiene tabúes profesionales?

—Don't be late.

—¿Con quién le gustaría fotografiar?

—Larry Burrows.

—¿Qué le preocupa y por qué?

—I worry about my kids. The usual parent stuff. When you have a family, you realize whats important, and whats not. And it allows you to not worry much about most things, and just focus on what matters.

—¿Cuál ha sido el momento más impactante de su vida?

—The birth of my children.

—¿Cómo definiría el éxito? ¿Cómo lo mide?

—Happiness, pride, respect, kindness.

—Cuando va de viaje, ¿qué lleva consigo y por qué?

—I travel a lot so I have a good system. My Think Tank Airport Roller Derby holds my gear and saves my back. I have a new Macbook, the really little one that weighs nothing, and its perfect for someone who travels a lot. Noise-cancelling headphones, and lots of podcasts. Cliff bars.

—¿Cómo se forma para tomar las mejores imágenes?

—Try and go out every single day and photograph. Anything, it doesn't matter. But the repetitive process of making pictures will make you better. Be thoughtful about it, slow down, and remember the basics of good photography. And also go to the library or bookstore and check out the photography books. Looking at pictures on the Internet sucks.

—¿A quién pertenece el trabajo que le ha influenciado más como fotógrafo?

—Classic photojournalism, like from the Magnum Photo Agency. My passion is photojournalism, so I spend a lot of time following contemporary news and documentary photographers. Too many to list.

—¿Cuál es la única cosa que desearía haber sabido cuando comenzó a tomar fotografías?

—How to run a photography business.

—¿Qué desea decir con sus fotografías?

—Life is beautiful.

—¿Qué le motiva a continuar tomando imágenes?

—There's something timeless about strong documentary photography. I like creating things that will have a long lifespan. And there's kindof a never ending pursuit of beauty and grace in photography, in capturing that elusive trifecta of LIGHT MOMENT COMPOSITION that keeps me curious and motivated and passionate about picking up a camera every day.

—¿Cree que sus padres deberían haber sido más o menos estrictos?

—They did a good job. I should tell them that more often.

—¿Si pudiera volver atrás en el tiempo, qué haría de forma diferente?

—No regrets. Even if you mess up, learning from your mistakes is essential in growing as an artist and a human being. I have a great life, can't complain.

—¿Qué piensa de la vida en otros planetas?

—Of course. It's kindof ridiculous to think we're the only life in the universe.

—¿Cuándo está complemente satisfecho de su trabajo?

—Never.