Fotograf Julian Abram Wainwright

—Wie sind sind zur Fotografiebranche gekommen?

—I worked as a photojournalist for 10 years. When my wife and I started a family, I decided to transition to weddings because the lifestyle was better suited for spending time with my family. I only discovered that I love photographing weddings after I started shooting them!

—Was macht Ihrer Meinung nach ein gutes Foto aus?

—Light. Moment. Composition.

—Reisen Sie gern?

—Yes. After college I travelled all over Asia, from Iran and India to Laos and Myanmar. I loved it so much I moved to Southeast Asia and have been here 15 years.

—Was gefällt Ihnen an Ihrem Beruf am meisten?

—I get to document one of the most important days in peoples' lives. Hopefully the images I create will be passed on to future generations. That gives me pride in my work. I also love that I get to be creative and photograph they way I want to.

—Was gefällt Ihnen an Ihrem Beruf am wenigsten?

—I love travelling, sometimes – particularly in the high season from January to May – it can be a drag. Saying goodbye to my kids for a few days is always tough.

—Was ist die Zukunft der Fotografie?

—Trends will come and go, but I think there will always be a market for classic documentary photography. People want photography that shows real moments, that tells the story of their wedding day. And there will probably be more drones :-(

—Was das Besondere an dem Fotografiegenre, auf das Sie sich spezialisiert haben?

—Emotion.

—Wie gehen Sie mit Kritik um?

—Working with magazine editors for a decade has given me thick skin. Criticism is good. It helps you grow as an artist. Take it, learn from it, move on.

—Gibt es irgendwelche Trends in der Fotografie?

—Trends are silly and don't interest me. As an artist if you follow trends you are lost.

—Was sollten die Kriterien für Kunden bei der Wahl eines Fotografen sein?

—Obviously the images have to speak to them, make them feel something in their hearts. And they should get to know the photographer, if not in person maybe on Skype, so that they get to know their personalities and see if they're a good fit.

—Was ist bei Fotoaufnahmen strikt verboten?

—Don't be an asshole. Seriously, always be the nicest guy in the room. And don't make it about you. This is their day, not yours. Bend over backwards to make it work. And don't interfere with the natural flow of things. I've seen video teams interrupt the first dance to tell the couple to stop and do it a different way. That's ridiculous. My job is to document the wedding day as it happens in real time. Not create a fake fairy tale. My clients want the same thing.

—Welche Details werden häufig übersehen, die ein Fotograf aber erkennt?

—The moments in between, the quiet moments. A good photographer is observant, vigilant, and ready to capture the moments that most people don't see. Also, an experienced wedding photographer learns to anticipate certain moments and reactions throughout the wedding day, and knows where to find them. Its like muscle memory in sports. It becomes a sixth sense.

—Was beeinflusst den Wert eines Fotos? Welche Elemente sind wichtig?

—All photographers post romantic, well lit portraits, because this sells and attracts clients. But the most valuable photos are real, not posed. Those are the ones I think couples will appreciate most 50 years down the line. Interesting natural light, a great moment/emotion, and thoughtful composition. Those are the basic three elements in any good wedding photograph. It sounds simple, but its very rare to capture all three in one image. When you do, its magic.

—Was würden Sie gern fotografieren?

—Fun, kind people who aren't afraid to laugh and cry and get nasty on the dancefloor.

—Gibt es für Sie in Ihrem Beruf Tabus?

—Don't be late.

—Mit wem würden Sie gern fotografieren?

—Larry Burrows.

—Worüber machen Sie sich Sorgen und warum?

—I worry about my kids. The usual parent stuff. When you have a family, you realize whats important, and whats not. And it allows you to not worry much about most things, and just focus on what matters.

—Was war der eindrucksvollste Moment in Ihrem Leben?

—The birth of my children.

—Wie definieren Sie Erfolg? Wie messen Sie ihn?

—Happiness, pride, respect, kindness.

—Was nehmen Sie mit, wenn Sie auf Reisen gehen und warum?

—I travel a lot so I have a good system. My Think Tank Airport Roller Derby holds my gear and saves my back. I have a new Macbook, the really little one that weighs nothing, and its perfect for someone who travels a lot. Noise-cancelling headphones, and lots of podcasts. Cliff bars.

—Wie bilden Sie sich weiter, damit Ihre Bilder noch besser werden?

—Try and go out every single day and photograph. Anything, it doesn't matter. But the repetitive process of making pictures will make you better. Be thoughtful about it, slow down, and remember the basics of good photography. And also go to the library or bookstore and check out the photography books. Looking at pictures on the Internet sucks.

—Welche Arbeiten haben Sie als Fotografen am meisten beeindruckt?

—Classic photojournalism, like from the Magnum Photo Agency. My passion is photojournalism, so I spend a lot of time following contemporary news and documentary photographers. Too many to list.

—Was hätten Sie auf jeden Fall wissen müssen, als Sie mit der Fotografie begannen?

—How to run a photography business.

—Was möchten Sie mit Ihren Fotos zum Ausdruck bringen?

—Life is beautiful.

—Was motiviert Sie weiterzumachen?

—There's something timeless about strong documentary photography. I like creating things that will have a long lifespan. And there's kindof a never ending pursuit of beauty and grace in photography, in capturing that elusive trifecta of LIGHT MOMENT COMPOSITION that keeps me curious and motivated and passionate about picking up a camera every day.

—Hätten Ihre Eltern strenger sein müssen?

—They did a good job. I should tell them that more often.

—Wenn Sie zurückschauen, was hätten Sie besser machen können?

—No regrets. Even if you mess up, learning from your mistakes is essential in growing as an artist and a human being. I have a great life, can't complain.

—Was halten Sie vom Leben auf anderen Planeten?

—Of course. It's kindof ridiculous to think we're the only life in the universe.

—Wann sind Sie mit Ihrer Arbeit in jeder Hinsicht zufrieden?

—Never.