Photographe Julian Abram Wainwright

—Comment avez-vous commencé à travailler dans la photographie ?

—I worked as a photojournalist for 10 years. When my wife and I started a family, I decided to transition to weddings because the lifestyle was better suited for spending time with my family. I only discovered that I love photographing weddings after I started shooting them!

—Selon vous, quels sont les éléments les plus importants d'une bonne photo ?

—Light. Moment. Composition.

—Aimez-vous voyager ?

—Yes. After college I travelled all over Asia, from Iran and India to Laos and Myanmar. I loved it so much I moved to Southeast Asia and have been here 15 years.

—Quel aspect de votre profession préférez-vous ?

—I get to document one of the most important days in peoples' lives. Hopefully the images I create will be passed on to future generations. That gives me pride in my work. I also love that I get to be creative and photograph they way I want to.

—Quel aspect de votre profession aimez-vous le moins ?

—I love travelling, sometimes – particularly in the high season from January to May – it can be a drag. Saying goodbye to my kids for a few days is always tough.

—Quel est le futur de la photographie ?

—Trends will come and go, but I think there will always be a market for classic documentary photography. People want photography that shows real moments, that tells the story of their wedding day. And there will probably be more drones :-(

—Qu'est-ce que le style de photographie dans lequel vous travaillez a de spécial ?

—Emotion.

—Comment gérez-vous les critiques ?

—Working with magazine editors for a decade has given me thick skin. Criticism is good. It helps you grow as an artist. Take it, learn from it, move on.

—Y a-t-il des modes dans la photographie ?

—Trends are silly and don't interest me. As an artist if you follow trends you are lost.

—Quels devraient être les critères pour qu'un client choisisse un photographe ?

—Obviously the images have to speak to them, make them feel something in their hearts. And they should get to know the photographer, if not in person maybe on Skype, so that they get to know their personalities and see if they're a good fit.

—Quels sont les interdits lors de photographie ?

—Don't be an asshole. Seriously, always be the nicest guy in the room. And don't make it about you. This is their day, not yours. Bend over backwards to make it work. And don't interfere with the natural flow of things. I've seen video teams interrupt the first dance to tell the couple to stop and do it a different way. That's ridiculous. My job is to document the wedding day as it happens in real time. Not create a fake fairy tale. My clients want the same thing.

—Quels détails seul un photographe peut-il remarquer ?

—The moments in between, the quiet moments. A good photographer is observant, vigilant, and ready to capture the moments that most people don't see. Also, an experienced wedding photographer learns to anticipate certain moments and reactions throughout the wedding day, and knows where to find them. Its like muscle memory in sports. It becomes a sixth sense.

—Qu'est-ce qui influence la valeur d'une photo ? Quels en sont les éléments ?

—All photographers post romantic, well lit portraits, because this sells and attracts clients. But the most valuable photos are real, not posed. Those are the ones I think couples will appreciate most 50 years down the line. Interesting natural light, a great moment/emotion, and thoughtful composition. Those are the basic three elements in any good wedding photograph. It sounds simple, but its very rare to capture all three in one image. When you do, its magic.

—Qui aimeriez-vous prendre en photo ?

—Fun, kind people who aren't afraid to laugh and cry and get nasty on the dancefloor.

—Avez-vous des tabous professionnels ?

—Don't be late.

—Avec quel photographe aimeriez-vous faire une séance photo ?

—Larry Burrows.

—De quoi vous inquiétez-vous, et pourquoi ?

—I worry about my kids. The usual parent stuff. When you have a family, you realize whats important, and whats not. And it allows you to not worry much about most things, and just focus on what matters.

—Quel a été le moment le plus impressionnant de votre vie ?

—The birth of my children.

—Comment définissez-vous le succès ? Comment le mesurez-vous ?

—Happiness, pride, respect, kindness.

—Quand vous partez en voyage que prenez-vous avec vous et pourquoi ?

—I travel a lot so I have a good system. My Think Tank Airport Roller Derby holds my gear and saves my back. I have a new Macbook, the really little one that weighs nothing, and its perfect for someone who travels a lot. Noise-cancelling headphones, and lots of podcasts. Cliff bars.

—Quelle méthode utilisez-vous pour améliorer vos prises de photo ?

—Try and go out every single day and photograph. Anything, it doesn't matter. But the repetitive process of making pictures will make you better. Be thoughtful about it, slow down, and remember the basics of good photography. And also go to the library or bookstore and check out the photography books. Looking at pictures on the Internet sucks.

—Qui vous a influencé le plus en tant que photographe ?

—Classic photojournalism, like from the Magnum Photo Agency. My passion is photojournalism, so I spend a lot of time following contemporary news and documentary photographers. Too many to list.

—Quelle chose auriez-vous aimer connaître avant de vous lancer dans la photographie ?

—How to run a photography business.

—Qu'aimeriez-vous dire avec vos photos ?

—Life is beautiful.

—Quelle est votre motivation pour continuer la photographie ?

—There's something timeless about strong documentary photography. I like creating things that will have a long lifespan. And there's kindof a never ending pursuit of beauty and grace in photography, in capturing that elusive trifecta of LIGHT MOMENT COMPOSITION that keeps me curious and motivated and passionate about picking up a camera every day.

—Pensez-vous que vos parents auraient dû être plus stricts ? Moins stricts ?

—They did a good job. I should tell them that more often.

—Si vous pouviez revenir dans le temps, que changeriez-vous ?

—No regrets. Even if you mess up, learning from your mistakes is essential in growing as an artist and a human being. I have a great life, can't complain.

—Que pensez-vous de la vie sur d'autres planètes ?

—Of course. It's kindof ridiculous to think we're the only life in the universe.

—Quand êtes-vous complètement satisfait de votre travail ?

—Never.