—Hvad bør kriterierne være for en kunde, der skal vælge en fotograf?

—Zapewne to czy fotografie spełniają ich oczekiwania, ale i powinni sprawdzić też jaką osobą jest fotograf, czy umie z należytym szacunkiem potraktować daną chwile.

—Hvordan blev du en del af fotografiindustrien?

—Pasja fotografowania pchnęła mnie w niemal każdą jej dziedzinę, jednak na fotografii ślubnej skupiam swoją uwagę ze względu na emocje jakie zawsze towarzyszą temu wyjątkowemu wydarzeniu.

—Er du fotogen?

—Myślę że ocenić powinien to ktoś kto podjął by się sfotografowania mojej osoby. Sam sobie zdjęć nie robię więc nie mam zdana :)

—Hvad er de vigtigste komponenter i et godt billede efter din mening?

—Ludzie, emocje ,moment, kadr, światło, reszta to tylko ładne dodatki :)

—Elsker du at rejse?

—Tak, uwielbiam poznawać nowe miejsca

—Hvad kan du bedst lide ved dit fag?

—Tak zwaną "magię" fotografowania. Fotografia to echo czegoś co było, przeminęło i gdzieś wybrzmiewa w naszych wspomnieniach. My jako fotografowie mamy jedno proste zadanie, aby to echo brzmiało jak najwyraźniej :)

—Hvad synes du mindre godt om ved dit fag?

—Nie lubię nudy, rutyny i monotonności

—Hvordan håndterer du kritik?

—Jestem na nią otwarty, staram się wysłuchać każdej uwagi wyciągnąć wnioski. Krytyka bywa bardzo konstruktywna

—Hvilke ting er slet ikke tilladt under fotograferingen?

—Wydaje mi się że krytykowanie pary.

—Hvordan ser fremtiden ud for fotografering?

—Mam nadzieję że zaskakująca

—Hvad er der specielt ved den fotografigenre, du specialiserer dig i?

—Jest zaskakująca

—Hvad bør kriterierne være for en kunde, der skal vælge en fotograf?

—1) Do you like the photographer's work? 2) Do you like the photographer? Simple as that.

—Hvordan blev du en del af fotografiindustrien?

—In 2008, I was already doing amateur photography for a couple of year. To do something different for a change, I asked my uncle if I could photograph his wedding. It was his second marriage, they were not asking for a photographer, so there was little risk. I ended up liking it so much, that I decided to do it more.

—Er du fotogen?

—No! I much rather be behind a camera.

—Hvad er de vigtigste komponenter i et godt billede efter din mening?

—Above all, the photo has to have a certain impact. Wether that's an intense emotion, a good vibe, or just a spectaculair visual impact. After that comes the technical part. So a good lighting, composition, etcetera. But for me, the impact is the most important part, by far.

—Elsker du at rejse?

—Yes, but with moderation though. I'd love to do 3-5 destination weddings a year. I don't think I'd enjoy doing 10, 15 or even more.

—Hvad kan du bedst lide ved dit fag?

—It sounds like a horrible cliché, but it's true: Every wedding is different. You never really know what's going to happen. Surprises can happen at every moment. Besides that, I think it's a great honor to be asked to create lifelong memories for the people that are getting married. 5, 10, 25 or even 50 years after they get married, people still remember who took their wedding photos. It's pretty wonderful that you can be an important part in people's lives.

—Hvad synes du mindre godt om ved dit fag?

—Basically: The postprocessing. I have a horrible concentration when it comes to editing. I love editing my 50-75 favorites from a wedding, but after that, it gets hard for me to keep focused.

—Hvordan håndterer du kritik?

—I try to extract what people really mean with their comments. Some people have difficulties in finding the right words to give feedback, sometimes making them sound rude. But I always try to figure out what's the real message there.

—Hvilke ting er slet ikke tilladt under fotograferingen?

—'Allowed' is a big word. I'm not the one to say what's allowed or not. However, I don't like to unnecessarily intervene in a wedding. With the exception of the posed shots, I don't like having to tell people what to do, where to stand or how to look.

—Hvordan ser fremtiden ud for fotografering?

—I think the future of wedding photography will be a further evolution of the direction it's going in right now. More journalistic stuff, more moments. But besides that: technical advances. Faster camera's, better low light capabilities, and other accessories like drones, light field cameras, and stuff like that, giving photographers even more tools to being creative.

—Hvad er der specielt ved den fotografigenre, du specialiserer dig i?

—I love many aspects of it. I love the fact that people are in a good mood, they take the time to look good as well. People get married in beautiful venues, and you as a photographer gets to be a part of so many people's special day. That's amazing.

—Først og fremmest - hvem kan du navngive som den bedste fotograf i Brasilien? :)

—Anderson Marques, for me a great reference as an artist, photographer and as a person.

—Hvad bør kriterierne være for en kunde, der skal vælge en fotograf?

—Affinity and identification with the photographer's professional and personality.

—Hvordan blev du en del af fotografiindustrien?

—It was very natural, everything was happening slowly. Today I am passionate about photographing couples, participating in the stories and the great moments with the relatives.

—Er du fotogen?

—No Unfortunately. But who knows with a few months of gym can improve rsrsrsrsrrs

—Hvad er de vigtigste komponenter i et godt billede efter din mening?

—Composition, light and direction. Add to that the impact, attention at decisive moments and an intelligent post-production.

—Elsker du at rejse?

—Very very much. Especially meet new places, cultures and people.

—Hvad kan du bedst lide ved dit fag?

—Travel, meet new stories, participate in incredible moments that only the profession allows me today. And finally, know the responsibility and importance that my work can have to perpetuate and influence others!

—Hvad synes du mindre godt om ved dit fag?

—Being devalued by people who can not see the beauty and seriousness of what we do and why we photograph ..

—Hvordan håndterer du kritik?

—I always try to learn as much as possible and try to look as if I'm on the other side. In photography, criticism should be part of the life of the professional as a daily exercise. We should always be bothered with something and always on the move looking for ever better things.

—Hvordan ser fremtiden ud for fotografering?

—Equally important but with better equipment and tools.

—Hvilke ting er slet ikke tilladt under fotograferingen?

—Working lazily, carelessly, miss good times.